It’s that time again! A necessary ingredient for survival in this industry, and a sometimes fickle Portland job market, is a current (and sharp) demo reel. There’s no time like the present; and in this case the timing is perfect by design, as we’re officially one month out from our upcoming Job Mixer III. This year’s Demo Reel Review will not only put some glide in your stride as you cruise the job mixer floor, but also put you in the running for an excellent batch of prizes.
New to the Reel Review is a format change – this year’s review is purely digital, rather than the screening events we’ve had in the past. However, the 3 category winners will screen in all their glory at our event during Design Week (April 23), on the big screen and big crowd at OMSI. We’ll also post a follow up that announces the winners and links here for all to see.
This year’s judge is… me! SIGGRAPH Chair J Bills, and I’ve not taken a turn since the first one we did at Disjecta during Design Week in (gulp!) 2013. I can cover both VFX and Motion Design, and I hope to also add a 3D centric judge specifically to help tackle your 3D reel submissions (check back as we get closer). Usually we try to have a panel of 3, but all of the senior artists in our ranks seem quite busy this year… I take that as good news.
Entrants will submit materials via the google form at this link:
Reels should be YouTube or Vimeo links, or a download (dropbox, google drive, box, etc) link to a video file. Video files should be 720p or 1080p, and preferably an mp4. H264 or ProRes LT QuickTimes (.mov) are also acceptable. Please indicate which category you are submitting to – those that are multi-talented will need to choose based on their strongest skill.
Deadline for submissions is Saturday February 22nd at 2:20pm. 2/2/2020 2:20. Feedback and notes will be ongoing, and you can submit multiple times if you recut or factor changes into your reel. Winners will be announced here on Monday February 24th.
Prizes are as follows:
VFX Category: A license of the newly released (and awesome) VFX Suite for After Effects, from Red Giant. This includes tools like Supercomp, Primatte, King Pin, and the Spot Clone Tracker. Also, a license of Neat Video for either Nuke/Resolve (OFX) or AE. Neat Video is the defacto standard for noise reduction and prepping bluescreen/greenscreen plates for stable edges when keying. A must have tool! To round things out, a Red Giant T-shirt.
Motion Design Category: A 1 year license of the coveted collection of looks and tools that comprise Red Giant Universe. Also a Red Giant T-shirt.
3D Category: A 1 year license of Substance Painter Indie goes to the 3D category winner. Level up your textures+materials like never before!
Note that everyone has a chance to win, and that previous winners of our Reel Reviews were not always the most senior artist with the most jaw dropping work. Often times, the winners show a certain heart and soul, and vault ahead of the pack based on presentation and flavor. Do the best with what you have. All winners, in addition to the software prizes, will also receive a “Reelie,” the 3d printed desk prize of each annual SIGGRAPH Demo Reel Review. 3D modelers or studios that do character work, if you have a character you’d like to submit to become this year’s Reelie, get in touch.
Best of luck to all!
Special thanks to Red Giant, Neat Video, and Substance/Adobe for sponsoring this event.